Coming of age in London during the 2000s, I was constantly surrounded by suits. You saw them on City financiers hurrying through the Square Mile. You could spot them on fathers in the city's great park, kicking footballs in the golden light. Even school, a cheap grey suit was our required uniform. Historically, the suit has served as a uniform of gravitas, projecting authority and professionalism—qualities I was expected to embrace to become a "adult". Yet, until recently, my generation appeared to wear them infrequently, and they had all but vanished from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a subdued black overcoat, pristine white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captivated the public's imagination like no other recent mayoral candidate. Yet whether he was cheering in a hip-hop club or attending a film premiere, one thing remained largely constant: he was frequently in a suit. Relaxed in fit, contemporary with soft shoulders, yet traditional, his is a typically middle-class millennial suit—well, as typical as it can be for a cohort that seldom chooses to wear one.
"The suit is in this weird position," says style commentator Derek Guy. "Its decline has been a gradual fade since the end of the Second World War," with the real dip arriving in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal settings: marriages, funerals, and sometimes, court appearances," Guy states. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long retreated from everyday use." Numerous politicians "wear a suit to say: 'I represent a politician, you can have faith in me. You should vote for me. I have authority.'" Although the suit has historically conveyed this, today it performs authority in the attempt of gaining public confidence. As Guy elaborates: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a subtle form of performance, in that it enacts manliness, authority and even closeness to power.
Guy's words stayed with me. On the infrequent times I require a suit—for a ceremony or formal occasion—I retrieve the one I bought from a Japanese department store several years ago. When I first picked it up, it made me feel sophisticated and high-end, but its slim cut now feels outdated. I suspect this sensation will be all too recognizable for numerous people in the global community whose families originate in somewhere else, especially developing countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can therefore characterize an era—and feel rapidly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something likely to fall out of fashion within five years. Yet the attraction, at least in certain circles, endures: recently, department stores report tailoring sales rising more than 20% as customers "shift from the suit being everyday wear towards an desire to invest in something special."
Mamdani's preferred suit is from Suitsupply, a European label that retails in a mid-market price bracket. "Mamdani is very much a product of his background," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." Therefore, his moderately-priced suit will resonate with the demographic most inclined to support him: people in their thirties and forties, college graduates earning middle-class incomes, often discontented by the expense of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits plausibly align with his stated policies—which include a rent freeze, building affordable homes, and free public buses.
"It's impossible to imagine a former president wearing this brand; he's a Brioni person," observes Guy. "He's extremely wealthy and was raised in that property development world. A power suit fits naturally with that elite, just as more accessible brands fit well with Mamdani's cohort."
The legacy of suits in politics is extensive and rich: from a well-known leader's "shocking" beige attire to other national figures and their notably polished, custom-fit appearance. As one British politician learned, the suit doesn't just clothe the politician; it has the power to characterize them.
Maybe the point is what one academic calls the "enactment of banality", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection leverages a deliberate understatement, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. But, experts think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't apolitical; scholars have long noted that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "It is argued that if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, perhaps especially to those who might question it.
This kind of sartorial "code-switching" is hardly a recent phenomenon. Even historical leaders previously donned three-piece suits during their formative years. These days, other world leaders have begun swapping their usual military wear for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's image, the struggle between belonging and otherness is apparent."
The suit Mamdani chooses is deeply symbolic. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under pressure to conform to what many American voters expect as a marker of leadership," notes one author, while at the same time needing to navigate carefully by "avoiding the appearance of an establishment figure betraying his distinctive roots and values."
But there is an acute awareness of the different rules applied to suit-wearers and what is interpreted from it. "That may come in part from Mamdani being a younger leader, skilled to adopt different identities to fit the occasion, but it may also be part of his multicultural background, where code-switching between languages, traditions and attire is common," it is said. "White males can remain unnoticed," but when women and ethnic minorities "attempt to gain the power that suits represent," they must carefully navigate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the awkwardness of trying to fit into something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in politics, appearance is not without meaning.
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